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It feels good to be back in the classroom after an over-long winter break (if there is such a thing) and turning my thoughts back towards research. I found the MLA convention in Seattle last week to be a very enjoyable affair, on the main; setting aside grousing about the academic job market, I met and spoke with some very impressive folks at a number of excellent panels. Alan Richardson’s talk about dream states reminded me that it’s time to return to material on Richard III and dreaming that I excised from my dissertation, and my brief, yet informative chat with Amy Cook gave me some hope that Mark Turner and Gilles Fauconnier’s work on Conceptual Blending might finally be catching on with literary scholars, at least in some circles.
Something Amy Cook said in the Q&A session following her panel prompted me to return to Ellen Spolsky’s excellent 2002 article, “Darwin and Derrida: Cognitive Literary Theory As a Species of Post-structuralism.” When asked what she felt the status of cognitive theory was in the humanities, Cook shared a number of poignant insights, among which was the fact that scholars looking to build truly interdisciplinary ties need to look beyond post-structuralism as a mode of theoretical investigation, as such a focus severely limits the ability to carry on conversations outside of small pockets of discourse in the humanities. I appreciated the way she approached this subject because there is, far too often, a tendency for cognitive lit scholars to view post-structuralism as the enemy. I’ve never been convinced that the work of Derrida et al has led to the sort of “dead end” that Keith Oatley, for one, points to (“Simulations of Substance and Shadow,” Poetics Today 33.1.2009). Without the complicated movements to unravel how we perceive and construct the notion of literature, the literary canon, the concept of “the book,” modern literary scholarship would be a very different, much less interesting creature.
However, I find that I cannot so easily divide post-structuralism from cognitive literary studies. I’ve long championed Ellen Spolsky’s excellent suggestion, in her 2002 essay (Poetics Today 23.2), that cognitive literary theory should be considered as a “species of post-structuralism” (43). It’s an article worth reading for anyone interested in post-structuralism, cognitive literary studies, or even just literary studies in general, and I won’t take the time to summarize it at length here, as it deserves greater individual scrutiny. I will, however, agree with Spolsky’s assertion that evolutionary theory in particular complicates the post-structuralist inclination to separate representation from notions of unmediated reality. After all, if “human beings (or any species for that matter) could not get some relatively reliable information about the world external to their bodies, they could not survive for long” (52). Of course, it goes without saying that the conflicts arising from bodily interaction with external forces are mediated and guided by cultural context — thus rendering the two fields mutually exclusive, rather than binary opposites.
I find it somewhat perplexing that it should seem to be necessary to give up one’s stake in that project in order to engage in another project (cognitive lit theory). This seems particularly unnecessary in the case of those concerned with critiquing representations of consciousness, sense perception, or even social roles, in literary texts. As an undergraduate, it was a glancing encounter with Derridean theory, combined with Foucault’s essay “What Is An Author,” which convinced me that literary studies offered something more than the “art for art’s sake” results that pure literary formalism tends to privilege (and please do debate me on this one!). Derrida, in turn, opened my mind to the notion that categories were moveable, that both literal and figurative representation were decidedly lop-sided entities, and that literature was a constantly evolving creature — which in turn signaled to me that Darwinian theories had much more to offer literary scholars than most were aware of.
Ultimately, there’s a Pandora effect at work, whether anyone likes it or not. Cognitive literary scholars have continued to demonstrate the utility and even necessity of their work across the social sciences over the past two decades, and thus we can take it as given that cognitive literary studies will not simply “go away.” In fact, if my own students are any indication of the direction that the next generation of humanities scholars will take, cognitive literary studies is likely to become a growth field. In classes where I have introduced select elements of cognitive science, students have responded with overwhelming enthusiasm, stemming in large part from the fact that finally, as more than one student has told me directly, they can see how the study of literature connects to anthropology, sociology, biology, and so forth. The “bridge” between the humanities and the sciences may be years behind schedule and many dollars over budget, so to speak, but between conversations such as those I encountered at the MLA convention and those taking place in my classroom and others like it, there are signs that the bridge may finally be nearing completion. And I, for one, see no reason why Derrida won’t be among those travelling across it from time to time.
Yes, Spolsky 2002 essay is excellent. Cog sci approaches can certainly be used alongside (at least some of) the insights of post-structuralist criticism.
You might be interested in a working paper of mine based on a series of four posts in which I trace a line from Lévi-Strauss’s structuralism to cognitive science via “Kubla Khan,” with excursions to Greene’s Pandosto, Shakespeare’s The Winter’s Tale, and Emily Brontë’s Wuthering Heights. Here’s a more recent blog post in which I take one of those posts and argue the Lévi-Strauss’s approach to myth was, in a way, as “distant” as Moretti’s “distant reading.”
Hi Bill, thanks for stopping by and commenting! Spolsky has a more recent essay on “Macbeth” that you may also find interesting, published fall of 2011, if you haven’t already read that one.
I finally had a chance to read your working paper a couple of days ago — fascinating work! It’s particularly intriguing to read the evolution of your ideas on the “Kubla Khan” over the past decades. At MLA this year, Alan Richardson gave a talk on “Kubla Khan” and dream states — some of his work in that vein may interest you as well. As someone who tends to think conceptually rather than structurally, it’s great to read the work of someone who has really dedicated time to digging into a single text at the level that you do in this paper. Your comment on the blog post you linked above that “[y]ou can’t examine a structure if you can’t describe it” links nicely to the work of both Derrida and Spolsky vis-a-vis her 2002 article. That is, after all, a large part of what Darwin wanted to do through his theories, describe the process of change so that it could be opened for further explication and exploration. Ditto for literature — if you can’t break the piece down into the right components, it’s difficult to understand it.
Have you by any chance had the opportunity to look at Boyd’s new work on evolution and lyric poetry? I haven’t had the time to get hold of a copy and sit down with it yet, I’m curious to find out if folks working on structure find it to be a good resource for thinking about literary structures through an evolutionary science lens.
As someone who tends to think conceptually rather than structurally…
As someone who was trained by a computational linguist, David Hays, who wrote a book called Cognitive Structures and tend to see the two as deeply intertwined.
…it’s great to read the work of someone who has really dedicated time to digging into a single text at the level that you do in this paper.
Thanks. Again, my training betrays itself. At some point we have to confront that level of detail because that’s where we get the deepest clues about the underlying mechanisms.
That is, after all, a large part of what Darwin wanted to do through his theories, describe the process of change so that it could be opened for further explication and exploration.
Note that even to get started Darwin had to rely on several centures of careful descriptive work on flora and fauna. It’s through examining that record across time and space that Darwin was able to see patterns of change and variation that could be explained by an evolutionary process.
As for Boyd’s book on Shakespeare’s sonnets, it’s on my list, but . . . I find the evolutionary label a bit misleading. The literary Darwinists don’t seem to be much interested literary change over time, that is, in cultural evolution, and all they want from biological evolution is, well, is it a psychological model or is it certainty? I did a review of his book on stories and thought the first half was pretty good; anyone studying literature should know more or less that range of material. But I thought his discussions of the Odyssey and Horton Hears a Who! were rather pedestrian.
If THAT’s how it is, then literary criticism becomes just an application domain for “evolutionary” psychology, but has little to add to the study of evoluitionary or any other kind of psychology. But then, that’s pretty much the standard relationship between literary studies and its various sources of theoretical help. If that’s what it is, well, then that’s what it is. But I don’t believe that to be the case.
It’s an old post, and you don’t know me, but I stumbled upon your blog and found your “please do debate me on this one!” too tempting. Look into Shklovsky’s estrangement: if this is not a cognitive approach, I don’t know what is. This is, in fact, how I came across your blog in the first place: I realized that the way I’d like to re-apply Shklovsky fits right into the cognitive turn… Are you coming to the next MLA conference?
Hi Alexandra, I hadn’t viewed this post in quite some time — thanks for checking in!
To be honest, I have spent very little time with Shklovksy or any of the Russian Formalists, for that matter, beyond work in graduate seminars. But I’m certainly of the opinion that cognitive theory really should exclude very few approaches from consideration, or at the last, should not exclude any one perspective entirely. I call to mind here a comment made by Lisa Zunshine, in the Introduction to the “Introduction to Cognitive Cultural Studies Reader,” that “any student of cognitive cultural studies would thus do well to think of herself as a bricoleur who reaches out for the best mix of insights that cognitive theory as a whole has to offer without worrying about blurring lines between its various domains” (3). Her comment is directed at working with cognitive theorists and cognitive theory, rather than literary or cultural theorists / theories, but I believe the same rule applies. I’m intrigued by the concept of bringing Shklovsky into the conversation; I’ll have to read up on him further!
I don’t have plans to attend the next MLA at this juncture; to make a long story short, while I’m still pursuing several scholarly projects, the realities of the academic job market have led me into the private sector at the moment, and my availability for academic conferences is very limited as a result. But thanks to various internet outlets, it’s much easier these days to “keep a hand in the game,” as it were, than I suspect it used to be.